
How did we arrive at this place:
"Having children is selfish. It's all about maintaining your genetic line at the expense of the planet"?
Occasionally drawing attention to current events, literature and art, catholic and sectarian Christianity.

Pseudo Spoiler Alert: I am writing about the movie Once below. I don't give away the ending but I do try to enter into the plot a little to provide some insight into the film. I don't think I give awaytoo much, but you may be really fastidious about what you do and do not know about a film before you see it.
There is a film that is out now that would be worth your seeing: Once. It's a lovely film about a man and a woman and their mutual love for music. The movie is, in fact, a musical of sorts--not the Sound of Music type but a new kind. The characters, played by Glen Hansard (of the Irish rock band The Frames) and Marketa Irglova (who has recently recorded an album with Hansard under the title The Swell Season which contains some of the songs from the movie), tell the story through songs--most of which were composed by Hansard.
What I liked most about the film was the way the music acts as a medium through which the characters approach each other. To paraphrase Wendy Shalit from her 1999 book A Return to Modesty, there was a time when it was widely considered necessarily sexual for a man and woman to simply be alone in a room together. There are plenty of scenes where the two main characters are alone and yet their music (along with a couple of other important checks) acts as a mediator, allowing them to transcend their raw (albeit good) desires for companionship. The music also is the thing that gives the movie an unfulfilling---yet at the same time, fulfilling--ending. I don't want to spoil the whole thing for any of you interested in seeing Once, so please go watch it to see if I'm on to anything.
I have, in recent years, been interested in why I am personally more attracted to the particulars of poetry and painting/drawing as opposed to the particulars of music. I took up the guitar in high school and I still play it, but I never could stick with--what I now see to be--the abstraction of music (I'm not talking about what we call lyrics here but what we might call tune). (I also could never muster up the energy to handle the exactitude needed to really learn how to play "my axe"). Stephen Henderson over at Trees Walking has an insightful quotation by the poet Richard Wilbur on this subject. I'll insert a little of it below.
There are a lot males in my family. I have two older brothers (my poor mother!). My oldest brother now has three sons (the youngest of which you see to the left here with me--I just met him for the first time this past weekend). My other brother and his wife will be welcoming another boy into the family in September.
I am attending the Trinity Arts Conference at the University of Dallas this weekend. I listened to Ralph Wood, professor of literature and theology at Baylor, speak about how the Christian story redefines beauty (an element, by the way, that often gets less press in Western churches compared to truth and goodness).
I found this interesting piece about a recent Chinese governmental birth control raid in southern China. Here's a few excerpts:
As I finished up the PCA's ad interim committee's report on the Federal Vision, etc., I could not help but think of how it seems to be missing a fundamental, philosophical assumption of FV. But then I thought, "No, philosophical assumption is not quite right. It's something perhaps more basic." Then I found this from Peter Leithart's blog. There is a fundamental difference in how each group sees the world: that is, there's a fundamental difference in imagination. That's what I was looking for: imagination. From Leihart's post:
I've been reading the PCA ad interim study group's findings on the Federal Vision (FV), New Perspective on Paul (NPP), and Auburn Avenue Theologies (AAT). I will have more to say about this document in future posts. In the meantime, I found this comment interesting by a Dominican professor who teaches at the University of Virginia.


Apparently, Ralph Winter and Walden Media are into C.S.Lewis. Together, they’re producing a movie version of The Screwtape Letters that is expected to be out in 2008. Read more here.
If you are at all into church choral music, Gregorian chant, polyphony, etc., the new link to the right, Choral Treasure, is wonderful. It streams choral music 24/7. Give it a listen.

Read more about the Presentation of Our Lord.
I found this link at my friend JT's blog Exit 78 (BTW: Jt's blog is primarily a photo blog with some nice shots on it). This is a commercial for the Sony Bravia TV using Jose Gonzalez's cover of a song entitled "Heartbeats" (by a Swedish group called The Knife?). This is footage of Jose Gonzalez performing "Heartbeats" live. I haven't heard of this guy before, but I like this song. Very nice and melodic.

As I implied in a post months back, one of the reasons I tend to steer clear of politics is best summed up by Alexander Solzhenitsyn in his 1978 Harvard commencement address. There, he warns against understanding reality in a purely legal way. That is, the legal level of reality becomes the predominant one, thus pushing the religious and spiritual levels to the fringes. And, as long as you are right according to "the letter of the law," no other considerations need to be examined. Here are his words: