Spoiler Alert: This post contains details pertaining to the film The Curious Case of Benjamin Button.
I haven't been able to get out and see many of the films that have been nominated for the Academy Award's "Best Picture," but Jana and I were able recently to drop the little one off at the folks so we could go watch The Curious Case of Benjamin Button. We wanted to see Slumdog Millionaire, but it was not showing in the part of town we were visiting, so we settled for Benjamin Button.
I have read various judgments of the Academy's nominations and many of them have been highly critical--including this one. I have to say, after seeing Benjamin Button, I tend agree with these nay-sayers.
The main problem with film--besides the fact that its been done before (see Forrest Gump)--is that Benjamin is so uninteresting. He doesn't change. Actually, I take that back: he does change, but the change is only skin deep--quite literally. He goes from ancient-ugly-infant to a weird A River Runs Through It Brad Pitt to adolescent-trying-figure-himself-out to cuter infant. But that's it. He's a manchild all the way through and static; his co-star Cate Blanchett's character (i.e. Benjamin's "Jen-nay") is more interesting with her moving to New York, talking about D.H. Lawrence, and having a career-ending accident. Her struggle is more internal, and she seems a bit more complex and therefore, interesting.
Also, I am not sure why Hurricane Katrina in the frame story is so important. Is it there simply for context--to let us know that the frame story takes place in recent years? Fine. But when the waters from the broken levees begin to flood the basement where the clock, which is so central to the story, is stored, you being to think Katrina is supposed to represent something more than just a backdrop to the present-day story.
I am not always this critical of the Academy. I was pleased with No Country for Old Men's selection last year. But then again, there have been other years when the Best Picture went to more mediocre fare.
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